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作者 乔纳森·布罗克斯顿 （Jonathan Broxton）

SAI COSA FACEVA STALIN ALLE DONNE？(1969)

Sai Cosa Faceva Stalin Alle Donne？——大致翻译为《斯大林对女性做了什么》——是一部带有政治色彩的意大利喜剧，由毛里齐奥·利维拉尼编剧和导演。故事的重点是奥尔多和贝内代托（赫尔穆特·伯杰和贝内代托·贝内代蒂），这两位年轻而理想主义的共产主义知识分子在一位重要的左翼政治家的赞助下来到罗马。贝内代托很认真，并参与政治活动，但奥尔多很快就对他的新生活感到失望，并利用他与斯大林的巧合外表相似作为吸引女性的手段。

莫里康内为这部电影配乐基本上是两个中心主题的一系列变奏，一个不出所料地被称为“Lo Sai Cosa Faceva Stalin Alle Donne？”，另一个叫做“Lo Sai Che Cosa Facevano Le Donne a Stalin？”。“Lo Sai Cosa Faceva Stalin Alle Donne？”略带喜剧色彩，古怪的嗓音和奇特的大号旋律，最终形成了一个尖锐的、闪闪发光的编曲，包括弦乐、大键琴、钢琴、电贝斯吉他、手风琴和敲击木打击乐器。整个事情有一种独特的、像刺山柑一样的感觉，既好笑又有趣，我非常喜欢。后来，有一个更时髦的休息室音乐编曲 （#2），一个欧洲流行/摇滚版本 （#5），以及一个真正奇怪的版本，它完全分解了主题，并用呼吸和噪音以及有人用湿手指刮下窗户的声音 （#4）。

另一方面，“Lo Sai Che Cosa Facevano Le Donne a Stalin？”更坚韧、更肮脏、更爵士，有很棒的柔和小号独奏 （#1）、探戈变奏 （#2）、无词人声变奏 （#3），甚至还有听起来像 中世纪平原圣歌（medieval plainsong） （#4） 的礼仪圣歌！同时，“Scherzo da Guerra”是一首带有文艺复兴时期泡沫的舞曲，具有突出的管风琴、活泼的弦乐和柔和的摇滚节拍，而“Filastrocca Per Cretini”是一首几乎难以形容的作品，它从近似中世纪小丑进行曲 （medieval jester’s march） 的东西转变为有趣的波萨诺瓦节拍，然后以更多那些“手指在窗户上”的声音、亲吻、 和性高潮噪音。只有莫里康内！

意大利唱片公司CAM曾发行过几张Sai Cosa Faceva Stalin Alle Donne的配乐，通常将其与1980年电影《斯塔克星系》中的音乐搭配使用。它最终在 2013 年由 Beat Records 作为独立专辑发行，这是我在这里评论过的那张。这是一个有趣的配乐，另类而富有创意，但它更出众的时刻可能会让一些人感到难以言喻。

曲目列表： 1. Lo Sai Cosa Faceva Stalin Alle Donne？(2:23), 2.Lo Sai Che Cosa Facevano Le Donne a Stalin?(1:54), 3.谐谑曲 （2：08）， 4.Lo Sai Cosa Faceva Stalin Alle Donne？#2 (0:55), 5.Lo Sai Cosa Faceva Stalin Alle Donne？#3 (1:48), 6.谐谑曲 #2 （1：07）， 7.Lo Sai Cosa Faceva Stalin Alle Donne？#4 (4:25), 8.谐谑曲 （1：18）， 9.Lo Sai Cosa Faceva Stalin Alle Donne？#5 (1:18), 10.Lo Sai Cosa Faceva Stalin Alle Donne？#6 (4:36), 11.Filastrocca per cretini （2：43）， 12.谐谑曲 #3 （3：05）， 13.Lo Sai Che Cosa Facevano Le Donne a Stalin?#2 (0:34), 14.Lo Sai Che Cosa Facevano Le Donne a Stalin?#3 (2:36), 15.Filastrocca per cretini #2 （1：19）， 16.Lo Sai Che Cosa Facevano Le Donne a Stalin?#4 (0:57), 17.Lo Sai Che Cosa Facevano Le Donne a Stalin?#5 (2:24).Beat Records BCM-9524,35分30秒

2020.10.17

以下是原文

ENNIO MORRICONE REVIEWS, Part 8-81

SAI COSA FACEVA STALIN ALLE DONNE? (1969)

Sai Cosa Faceva Stalin Alle Donne? – which roughly translates as What Did Stalin Do To Women – is an Italian comedy drama with a political undertone, written and directed by Maurizio Liverani. The story focus on Aldo and Benedetto (Helmut Berger and Benedetto Benedetti), two young and idealistic Communist intellectuals who come to Rome under the patronage of an important left-wing politician. Benedetto is serious, and involves himself in political activities, but Aldo becomes quickly disillusioned with his new life, and exploits his coincidental physical resemblance to Stalin as a means to woo women.

Morricone’s score for the film is basically a series of variations on two central main theme, one unsurprisingly called “Lo Sai Cosa Faceva Stalin Alle Donne?” and the other called “Lo Sai Che Cosa Facevano Le Donne a Stalin?”. “Lo Sai Cosa Faceva Stalin Alle Donne?” has a slightly comedic air, with quirky vocals and a peculiar tuba melody that eventually picks up a spiky, glittery arrangement that includes strings, harpsichord, piano, electric bass guitar, accordion, and tapped wooden percussion. The whole thing has an idiosyncratic, caper-like feel that is amusing and fun, that I like quite a great deal. Later, there is a more groovy lounge music arrangement (#2), a Europop/rock version (#5), and a truly bizarre version that breaks down the theme entirely and surrounds it with breathing and noises and the sound of someone scraping a wet finger down a window (#4).

On the other hand, “Lo Sai Che Cosa Facevano Le Donne a Stalin?” is grittier, dirtier, and jazzier, with a terrific muted trumpet solo (#1), a tango variation (#2), a variation with wordless vocals (#3), and even a liturgical chant that sounds like medieval plainsong (#4)! Meanwhile, the “Scherzo da Guerra” is a piece of frothy renaissance-inflected dance fluff with a prominent organ, lively strings, and a soft rock beat, while “Filastrocca Per Cretini” is a near-indescribable piece which moves from something approximating a medieval jester’s march to a fun bossa nova beat, before ending with more of those ‘fingers-on-windows’ noises, kisses, and orgasm noises. Only Morricone!

There had been a couple of releases of the score for Sai Cosa Faceva Stalin Alle Donne by Italian label CAM, which usually paired it with music from the 1980 film Stark System. It was finally released as a standalone album in 2013 by Beat Records, and this is the one I’ve reviewed here. It’s a fun score, offbeat and creative, but of its more out-there moments might strike some people are being just too peculiar for words.

Track Listing: 1. Lo Sai Cosa Faceva Stalin Alle Donne? (2:23), 2. Lo Sai Che Cosa Facevano Le Donne a Stalin? (1:54), 3. Scherzo da Guerra (2:08), 4. Lo Sai Cosa Faceva Stalin Alle Donne? #2 (0:55), 5. Lo Sai Cosa Faceva Stalin Alle Donne? #3 (1:48), 6. Scherzo da Guerra #2 (1:07), 7. Lo Sai Cosa Faceva Stalin Alle Donne? #4 (4:25), 8. Scherzo da Baffone (1:18), 9. Lo Sai Cosa Faceva Stalin Alle Donne? #5 (1:18), 10. Lo Sai Cosa Faceva Stalin Alle Donne? #6 (4:36), 11. Filastrocca Per Cretini (2:43), 12. Scherzo da Guerra #3 (3:05), 13. Lo Sai Che Cosa Facevano Le Donne a Stalin? #2 (0:34), 14. Lo Sai Che Cosa Facevano Le Donne a Stalin? #3 (2:36), 15. Filastrocca Per Cretini #2 (1:19), 16. Lo Sai Che Cosa Facevano Le Donne a Stalin? #4 (0:57), 17. Lo Sai Che Cosa Facevano Le Donne a Stalin? #5 (2:24). Beat Records BCM-9524, 35 minutes 30 seconds

Oct. 17, 2020

001	Lo sai cosa faceva Stalin alle donne ? (04:37)	斯大林对妇女们都干了什么
002	Scherzo da guerra (03:04)	战争的笑话
003	Scherzo da baffone (01:19)	胡子的笑话
004	Lo sai cosa facevano le donne a Stalin ? (01:55)	斯大林对妇女们确实干了什么
005	Filastrocca per cretini (02:44)	愚笨的歌谣

Jon 是一位电影音乐评论家和记者，自 1997 年以来一直担任全球最受欢迎的英语电影音乐网站之一 Movie Music UK 的编辑和首席评论员，并且是国际电影音乐评论家协会 （IFMCA） 的主席。在过去的 20多 年中，Jon 撰写了 3,000 多篇评论和文章，并进行了多次作曲家采访。在杂志刊物方面，乔恩曾为《电影配乐月刊》、《原声带杂志》和《电影音乐》等出版物撰写评论和文章，并为普罗米修斯唱片公司的两张经典 Basil Poledouris 配乐专辑《Amanda》和《Flyers / Fire on the Mountain》撰写了衬垫注释。他还为汤姆·胡佛 （Tom Hoover） 于 2011 年出版的《Soundtrack Nation： Interviews with Today's Top Professionals in Film， Videogame， and Television Scorering》一书撰写了一章。在1990年代后期，乔恩是伦敦皇家爱乐乐团的电影音乐顾问，并与他们合作拍摄了约翰·德布尼（John Debney）的音乐电影《相对价值》（Relative Values）和奥利弗·海斯（Oliver Heise）的音乐《佛陀的指环》（The Ring of the Buddha），以及与兰迪·纽曼（Randy Newman）合作的一系列音乐会。2012年，乔恩在波兰克拉科夫举行的第五届年度电影音乐节上担任“电影节学院”主席。他是作曲家和作词家协会的成员，该协会是作曲家、作词家和词曲作者从事电影、电视和多媒体工作的首要非营利组织。

2023.12.10

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