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FA6612 Un fiume di dollari / River of Dollars
Auther: Jonathan Broxton

ENNIO MORRICONE REVIEWS, Part 3-35

UN FIUME DI DOLLARI [THE HILLS RUN RED] (1966)

Un Fiume di Dollari, known in English as The Hills Run Red, is a spaghetti western directed by Carlo Lizzani. The film stars Thomas Hunter as Brewster, a rebel Texan fighter in the American Civil War heading towards Mexico with a cache of stolen American gold. When he is captured by soldiers just short of his goal, he trusts his partner Seagull (Nando Gazzolo) to finish the job, get the money across the border, and use his half to help his wife and son. Five years later, having been released from prison, Brewster finally returns home, only to find that he has been double-crossed by Seagull and his family gone Vowing revenge, he teams up with a drifter named Getz (Dan Duryea), and sets off in pursuit of Seagull.

The main title theme, “The Hills Run Red,” is a stridently heroic march for brass and strings augmented by the dulcet tones of soprano Edda dell’Orso and a male voice choir, and its recapitulations and variations in “The Fury of Fire,” “The River of Dollars,” “Vindication,” and the conclusive “Un Fiume di Dollari” are score highlights. There is suspense music a-plenty too, with the familiar nervous agitato strings, muted horns, and impatient snare drum licks anchoring cues like “Fifteen Miles to Prison” and the sometimes quite dissonant “Blind Obsession”. Elsewhere there is some wistful music for glockenspiel, harp and strings in “Dreams Into Dust,” which gives Brewster’s longing for home a poignant twist; the soft focus pop arrangements of the same ideas in “Memories of Rebecca” and “The Girl With the Golden Hair” are of their time.

The soundtrack also includes two original songs, “Home to My Love” and “Quel Giorno Verrà,” both of which are performed by Gino, and neither of which I care for; there is also some lively Mexican source music in cues such as “Fiesta del Sol,” which is authentic and features some ripe trumpet solos, some down-home Americana in “Ecstasy of Strings,” and ragtimee/honkytonk saloon pianos in “Five Card Draw,” the latter of which unfortunately verge on the annoying.

Un Fiume di Dollari fits squarely within the familiar Morricone spaghetti western sound that he perfected during the period, and although it’s certainly not as influential or creative as his more well-known efforts, it will satisfy the curiosity of genre fans. The score for Un Fiume di Dollari was never properly released until 2008, when it was included in the massive 12-CD ‘MGM Soundtrack Treasury’ box set released by Film Score Monthly. The score was then re-issued as a standalone soundtrack (featuring identical content) by Spanish label Quartet Records in 2010, and this is the version being reviewed here.

Track Listing: 1. Home to My Love (performed by Gino) (1:42), 2. The Hills Run Red (1:41), 3. Fifteen Miles to Prison (1:39), 4. Fiesta Del Sol (0:57), 5. Dreams Into Dust (2:03), 6. Ecstasy of Strings (1:18), 7. Memories of Rebecca (2:24), 8. The Fury of Fire (1:01), 9. The River of Dollars (1:54), 10. Five Card Draw (2:39), 11. The Girl With The Golden Hair (1:43), 12. Doing Time (1:29), 13. Blind Obsession (2:56), 14. Vindication (1:27), 15. Home to My Love (performed by Gino) (2:51), 16. Un Fiume Di Dollari (2:16), 17. Quel Giorno Verrà (performed by Gino) (2:12). Quartet Records QRSCE-007, 31 minutes 13 seconds.

 

July 9, 2020
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No.
Name
Listen 
001
Home To My Love (01:38) sung by Gino
002
The Hills Run Red (01:34)
003
Fifteen Miles To Prison (01:40)
004
Fiesta Del Sol (00:50)
005
Dreams Into Dust (01:56)
006
Ecstacy Of Strings (01:12)
007
Memories Of Rebecca (02:17)
008
The Fury Of Fire (01:03)
009
The River Of Dollars (01:50)
010
Five Card Draw (02:35)
011
The Girl With Golden Hair (01:37)
012
Doing Time (01:25)
013
Blind Obsession (02:55)
014
Vindication (01:25)
015
Home To My Love (02:42)
Attachment: About Jonathan Broxton
Jon is a film music critic and journalist, who since 1997 has been the editor and chief reviewer for Movie Music UK, one of the world’s most popular English-language film music websites, and is the president of the International Film Music Critics Association (IFMCA). Over the last 20+ years Jon has written over 3,000 reviews and articles and conducted numerous composer interviews. In print, Jon has written reviews and articles for publications such as Film Score Monthly, Soundtrack Magazine and Music from the Movies, and has written liner notes for two of Prometheus Records’ classic Basil Poledouris score releases, “Amanda” and “Flyers/Fire on the Mountain”. He also contributed a chapter to Tom Hoover’s book “Soundtrack Nation: Interviews with Today’s Top Professionals in Film, Videogame, and Television Scoring”, published in 2011. In the late 1990s Jon was a film music consultant to the Royal Philharmonic Orchestra in London, and worked with them on the films “Relative Values” with music by John Debney, and “The Ring of the Buddha” with music by Oliver Heise, as well as on a series of concerts with Randy Newman. In 2012, Jon chaired one of the “festival academies” at the 5th Annual Film Music Festival in Krakow, Poland. He is a member of the Society of Composers and Lyricists, the premier nonprofit organization for composers, lyricists, and songwriters working motion pictures, television, and multimedia. (Here)
2023.11.18
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