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FA6611 Svegliati e uccidi / Too Soon to Die
Auther: Jonathan Broxton

ENNIO MORRICONE REVIEWS, Part 2- I8

SVEGLIATI E UCCIDE [WAKE UP AND DIE] (1966)

Svegliati e Uccide, known as Wake Up and Die in English-speaking territories, is an Italian crime drama directed by Carlo Lizzano, starring Robert Hoffmann and Gian Maria Volontè. The story is based on the life of the real-life Italian criminal Luciano Lutring, who was known as “the machine-gun soloist” (“il solista del mitra”) because he kept his weapon of choice hidden in a violin case. Lutring carried out hundreds of robberies in France and Italy during the sixties before being captured during a robbery in Paris in 1966 and subsequently being sentenced to 22 years in prison.

Morricone’s score is notable for its use of an unusual sampled machine gun sound effect under the music, clearly alluding to Lizzano and his famous nickname. The rest of the music offers the genesis of the familiar contemporary crime-thriller sound he would employ frequently throughout his career; the main theme features low, jazzy pianos offset against funky bass flutes, electric guitars, growling brass, and a rock drum kit percussion section, before becoming more elegiac and elegant in its second half through the inclusion of an operatic female soprano vocal.

Several other cues also leave greatly positive impressions, including “Un Uomo Solo,” the lonely secondary theme for Lutring; and the action sequence “Una Troma a Dallas,” which explodes into a chaotic frenzy of throbbing trumpets, Hammond organ, piano, and vocals. The score also spawned a hit song, “Una Stanza Vuota,” performed by Lisa Gastoni.

The best release of the soundtrack is the 2012 release on GDM Records, which builds on the previous various LP and CD relasesd with extra tracks and bonus cues, and is re-mastered for better sound. The main theme from “Svegliati e Uccide” can also be found on the comprehensive 15-CD compilation Ennio Morricone: The Complete Edition, released by GDM Music in 2008.

Track Listing: 1. Una Stanza Vuota #1 (performed by Lisa Gastoni) (2:39), 2. Un Uomo Solo (1:58), 3. Colpo Alla Gioielleria #1 (1:26), 4. Una Stanza Vuota #2 (1:51), 5. La Prima Vittima (2:22), 6. Sul Lago di Lugano (1:45), 7. Svegliati e Uccidi #1 (2:29), 8. La Donna di Un Fuorilegge #1 (0:37), 9. Una Stanza Vuota #3 (1:43), 10. Una Tromba a Dallas #1 (2:49), 11. Svegliati e Uccidi #2 (2:08), 12. Svegliati e Uccidi #3 (1:48), 13. Una Stanza Vuota #4 (performed by Lisa Gastoni) (2:32), 14. Svegliati e Uccidi #4 (2:20), 15. La Donna di Un Fuorilegge #2 (2:01), 16. Una Stanza Vuota #5 (1:45), 17. Svegliati e Uccidi #5 (1:21), 18. Colpo Alla Gioielleria #2 (1:10), 19. Svegliati e Uccidi #6 (1:59), 20. Una Stanza Vuota #6 (0:54), 21. Svegliati e Uccidi #7 (1:24), 22. Una Stanza Vuota #7 (1:05), 23. Svegliati e Uccidi #8 (1:33), 24. Svegliati e Uccidi #9 (1:07), 25. Una Tromba a Dallas #2 (1:56), 26. Una Stanza Vuota (Versione Singolo) (performed by Lisa Gastoni) (2:38). GDM Music 7117, 47 minutes 20 seconds.

August 20, 2017
Film Appreciation on This Website
Online music audition
No
Name
Listen
001
Una Stanza Vuota (02:43)
002
Un Uomo Solo (02:01)
003
Colpo Alla Gioielleria (01:30)
004
Una Stanza Vuota (2 versione) (01:54)
005
La Prima Vittima (02:25)
006
Sul lago Di Lugano (01:47)
007
Svegliati E Uccidi (02:31)
008
La Donna Di Un Fuorilegge (00:41)
009
Una Stanza Vuota (3 versione) (01:45)
010
Una Tromba A Dallas (02:51)
011
Svegliati E Uccidi (#2) (02:21)
012
Una Stanza Vuota (4 versione) (01:46)
013
Svegliati E Uccidi (#3) (01:22)
014
La Donna Di Un Fuorilegge (#2) (02:02)
015
Svegliati E Uccidi (#4) (01:26)
016
Svegliati E Uccidi (#5) (01:08)
017
Una Stanza Vuota (versione singolo) (02:39)
Attachment: About Jonathan Broxton
Jon is a film music critic and journalist, who since 1997 has been the editor and chief reviewer for Movie Music UK, one of the world’s most popular English-language film music websites, and is the president of the International Film Music Critics Association (IFMCA). Over the last 20+ years Jon has written over 3,000 reviews and articles and conducted numerous composer interviews. In print, Jon has written reviews and articles for publications such as Film Score Monthly, Soundtrack Magazine and Music from the Movies, and has written liner notes for two of Prometheus Records’ classic Basil Poledouris score releases, “Amanda” and “Flyers/Fire on the Mountain”. He also contributed a chapter to Tom Hoover’s book “Soundtrack Nation: Interviews with Today’s Top Professionals in Film, Videogame, and Television Scoring”, published in 2011. In the late 1990s Jon was a film music consultant to the Royal Philharmonic Orchestra in London, and worked with them on the films “Relative Values” with music by John Debney, and “The Ring of the Buddha” with music by Oliver Heise, as well as on a series of concerts with Randy Newman. In 2012, Jon chaired one of the “festival academies” at the 5th Annual Film Music Festival in Krakow, Poland. He is a member of the Society of Composers and Lyricists, the premier nonprofit organization for composers, lyricists, and songwriters working motion pictures, television, and multimedia. (Here)
2023.11.16
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