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FA7102M-4 Correva L'anno Di Grazia 1870
Auther: Jonathan Broxton

ENNIO MORRICONE REVIEWS, Part 11-102

CORREVA L’ANNO DI GRAZIA 1870 (1971)

Correva l’Anno di Grazia 1870 is an Italian historical drama film written and directed by Alfredo Giannetti, starring Anna Magnani and Marcello Mastroianni. The film looks at the relationship between the church and its subjects, and specifically follows a group of people who begin to form a rebellious opposition against the church’s power. When one of the rebels, Augusto Parenti, is arrested and imprisoned on orders of the Pope, his wife Teresa begs for his freedom, to no avail. While Augusto remains in prison, suffering the barbaric conditions within, Teresa starts to make plans for how to raise their son without him.

The score for Correva l’Anno di Grazia 1870 is another one of Morricone’s beautifully liturgical scores, and is anchored by a lovely main theme for soft woodwinds, gently rhytmic strings, and a cooing choir, in the opening cue “Muratori e Carbonari”. These orchestrations persist through much of the rest of the score, but often with different dramatic intent. In “Inconscio Senza Fine,” for example, they feel much more religioso, and are accompanied by tolling bells and a brief interlude for a dancing church organ. Later, in the reprise of “Muratori e Carbonari” the melody initially feels a little more hesitant and restrained, underpinned with tremolo strings and with melody switched to piano, before returning to its familiar arrangement. It’s final statement, in the conclusive “Canzone Senza Parole,” is initially quiet and a little morose, but becomes quite uplifting as it develops.

Other cues worth noting include the brief “Roma Antica” is a swooning, lilting piece for flute; “Passeggiata Sulla Via Del Mare,” which features a deeply romantic trilling guitar melody; “Sulla Via del Campidoglio,” which has a warm, noble string theme, and which becomes quite stirring as it develops, especially when the melody switches to heraldic brass with an accompanying choir; and the dream-like “Come Un Sogno” which blends guitars harp, chimes, and bells, in a hypnotic and beguiling fashion.

The score for Correva l’Anno di Grazia 1870 is a comparatively short one – just under 20 minutes – and so it is usually released as a 2-for-1 soundtrack compilation paired with another score. CAM Records released in 1992 paired with the 1980 score Il Bandito Dagli Occhi Azzuri, but the one I’m reviewing here is the 2005 Digitmovies release which pairs it with the scores for the 1970 film La Sciantosa and the 1971 TV movie Tre Donne – 1943: Un Incontro, as part of an impromptu Anna Magnani Movies collection.

Track Listing: 1. Muratori e Carbonari (2:32), 2. Inconscio Senza Fine (1:09), 3. Roma Antica (1:00), 4. Passeggiata Sulla Via Del Mare (1:51), 5. Muratori e Carbonari (3:48), 6. Sulla Via del Campidoglio (2:42), 7. Come Un Sogno (1:19), 8. Canzone Senza Parole (3:58). Digitmovies CDDM-038, 18 minutes 40 seconds.

March.6, 2021
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001
Muratori E Carbonari (1) 02:32
002
Inconscio Senza Fine 01:11
003
Roma Antica (1) 01:03
004
Passeggiata Sulla Via Del Mare 01:53
005
Muratori E Carbonari (2) 03:51
006
Sulla Via Del Campidoglio (1) 02:44
007
Come Un Sogno 01:22
008
Canzone Senza Parole (1) 04:04
009
Canzone Senza Parole (2) 05:10
010
Un Amore, Una Donna 01:52
011
Muratori E Carbonari (3) 02:03
012
Solotudine (1) 03:13
013
Gli Ideali 01:59
014
Solotudine (2) 01:19
015
Roma Antica (2) 00:40
Attachment: About Jonathan Broxton
Jon is a film music critic and journalist, who since 1997 has been the editor and chief reviewer for Movie Music UK, one of the world’s most popular English-language film music websites, and is the president of the International Film Music Critics Association (IFMCA). Over the last 20+ years Jon has written over 3,000 reviews and articles and conducted numerous composer interviews. In print, Jon has written reviews and articles for publications such as Film Score Monthly, Soundtrack Magazine and Music from the Movies, and has written liner notes for two of Prometheus Records’ classic Basil Poledouris score releases, “Amanda” and “Flyers/Fire on the Mountain”. He also contributed a chapter to Tom Hoover’s book “Soundtrack Nation: Interviews with Today’s Top Professionals in Film, Videogame, and Television Scoring”, published in 2011. In the late 1990s Jon was a film music consultant to the Royal Philharmonic Orchestra in London, and worked with them on the films “Relative Values” with music by John Debney, and “The Ring of the Buddha” with music by Oliver Heise, as well as on a series of concerts with Randy Newman. In 2012, Jon chaired one of the “festival academies” at the 5th Annual Film Music Festival in Krakow, Poland. He is a member of the Society of Composers and Lyricists, the premier nonprofit organization for composers, lyricists, and songwriters working motion pictures, television, and multimedia. (Here)
2023.12.10
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