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FA6904 Indagine su un cittadino al di sopra di ogni sospetto / Investigation of a Citizen Above Suspicion
Auther: Jonathan Broxton

ENNIO MORRICONE REVIEWS, Part 9-92

INVESTIGATION OF A CITIZEN ABOVE SUSPICION (1970)

Investigation of a Citizen Above Suspicion [Indagine su un Cittadino al di Sopra di Ogni Sospetto] is an Italian crime drama directed by Elio Petri, starring Gian Maria Volonté and Florinda Bolkan. Volanté plays a police inspector who kills his mistress, and then tests whether the police would charge him for the crime by manipulating the investigation and planting obvious which obviously point to him as the suspect – but despite this, he is never arrested or even accused of the crime. The film is intended to be an expose of police corruption in the Italian judicial system and was a critically acclaimed success, winning the Academy Award for Best Foreign Language Film in that year.

Morricone’s score is actually one of his most famous and popular from the period, as its main theme has been featured in concerts and included on numerous compilation albums over the years. The theme is peculiar, sort of like a twisted carnival march, with an intense dance-like rhythmic core that begins with a harp, moves to a de-tuned piano, and finishes in the strings, all while being surrounded by an array of twanging, plinking, and plonking textures that range from a Jew’s harp to an acoustic guitar. It’s relentless, obsessive-compulsive feel is actually perfect for the tone of the film, but quite how Morricone came up with this sound for this film is unimaginable – true testament to his creativity and genius.

The theme is prominent in many other cues, receiving especially notable statements in “Ripresa l´Indagine,” “Taglio Primo,” and “Indagine,” albeit with occasionally different instrumental textures carrying the main rhythmic idea. There is a recurring secondary theme too, entitled “Miraggio,” which begins as a bass passacaglia and slowly, intently picks up a Hammond organ, sly strings, and several of the main theme’s twangy enhancements, although the tone of the piece feels a little less jovial, perhaps a little more sultry, alluding to the more sinister aspects of the inspector’s murderous activities. The rhythmic ideas in the “Miraggio” theme occasionally remind me of the whimsical theme Elmer Bernstein wrote for Ghostbusters in 1984 (Here), if that tells you anything about its tone.

The rest of the score is essentially a series of variations on these two themes, and thankfully the score is only 29 minutes long, which means that the whole thing is over before it gets too repetitive and wholly wears out its welcome. The soundtrack album reviewed here is the 2007 Cinevox release which presents the original 11-track soundtrack album in mono, but then pads the album out with 15 minutes of alternate takes, plus an additional 21 minutes of stereo mixes that essentially repeat all the same material. Most people won’t need even half of this, but it’s good that this iconic Morricone has been preserved with such loving care.

Track Listing: 1. Indagine su un Cittadino al di Sopra di Ogni Sospetto (3:26), 2. Ripresa l´Indagine (1:10), 3. Taglio Primo (2:07), 4. Indagine (4:31), 5. Miraggio Seconda (3:22), 6. Indagine Insabbiata (2:05), 7. Miraggio Terzo (1:55), 8. Miraggio (2:31), 9. Taglio Secondo (1:25), 10. Indagine su un Cittadino al di Sopra di Ogni Sospetto (4:08), 11. Miraggio (Versione Singolo Lato B) (2:00), 12. Indagine su un Cittadino al di Sopra di Ogni Sospetto (Alt. Take #2) (2:55), 13. Miraggio (Alt. Take #2) (1:53), 14. Taglio Primo (Alt. Take #2) (1:33), 15. Indagine su un Cittadino al di Sopra di Ogni Sospetto (Unused Take) (3:11), 16. Taglio Scondo (Alt. Take #2) (:57), 17. Miraggio Secondo (Lat. Take #2) (2:45), 18. Taglio Primo (Alt. Take #3) (1:45), 19. Indagine su un Cittadino al di Sopra di Ogni Sospetto (Titoli Stereo Mix) (3:26), 20. Indagine Insabbiata (Alt. Take #2 Stereo Mix) (2:04), 21. Miraggio (Alt. Take #3 Stereo Mix) (3:24), 22. Indagine (Alt. Take #2 Stereo Mix) (4:31), 23. Taglio Primo (Alt. Take #4 Stereo Mix) (2:05), 24. Taglio Secondo (Alt. Take #3) (1:26), 25. Indagine su un Cittadino al di Sopra di Ogni Sospetto (Finale Stereo Mix) (4:09). Cinevox CDMDF-617, 64 minutes 44 seconds.

Feb. 7, 2021
Online music audition
001
Indagine su un... (03:25)
002
Ripresa l'indagine (01:10)
003
Taglio primo (02:07)
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Indagine (04:32)
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Miraggio secondo (03:26)
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Indagine insabbiata (02:06)
007
Miraggio terzo (01:54)
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Miraggio (02:33)
009
Taglio secondo (01:25)
010
Indagine su un cittadi..... (finale) (04:15)
011
Indagine su un cittadi..... (alternate version) (02:56)
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Miraggio (alternate version) (01:52)
Attachment: About Jonathan Broxton
Jon is a film music critic and journalist, who since 1997 has been the editor and chief reviewer for Movie Music UK, one of the world’s most popular English-language film music websites, and is the president of the International Film Music Critics Association (IFMCA). Over the last 20+ years Jon has written over 3,000 reviews and articles and conducted numerous composer interviews. In print, Jon has written reviews and articles for publications such as Film Score Monthly, Soundtrack Magazine and Music from the Movies, and has written liner notes for two of Prometheus Records’ classic Basil Poledouris score releases, “Amanda” and “Flyers/Fire on the Mountain”. He also contributed a chapter to Tom Hoover’s book “Soundtrack Nation: Interviews with Today’s Top Professionals in Film, Videogame, and Television Scoring”, published in 2011. In the late 1990s Jon was a film music consultant to the Royal Philharmonic Orchestra in London, and worked with them on the films “Relative Values” with music by John Debney, and “The Ring of the Buddha” with music by Oliver Heise, as well as on a series of concerts with Randy Newman. In 2012, Jon chaired one of the “festival academies” at the 5th Annual Film Music Festival in Krakow, Poland. He is a member of the Society of Composers and Lyricists, the premier nonprofit organization for composers, lyricists, and songwriters working motion pictures, television, and multimedia. (Here)
2023.12.10
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