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作者 乔纳森·布罗克斯顿 （Jonathan Broxton）

UN TRANQUILLO POSTO DI COMPAGNA [乡村安静的地方] （1968）

Un Tranquillo Posto di Campagna——在美国以《乡村寂静之地》的形式上映——是一部意大利恐怖惊悚片，由埃利奥·佩特里执导，改编自奥利弗·洋葱的短篇小说《招手的公平者》。这部电影由佛朗哥·尼禄饰演莱昂纳多，他是一位艺术家，他与女友弗拉维亚（凡妮莎·雷德格雷夫饰）搬到了一座乡村别墅，在那里他开始经历越来越可怕的、显然是超自然的事件。Un Tranquillo Posto di Campagna 值得注意的是，这是莫里康内在职业生涯中为第一部普遍认可的“giallo”电影配乐——这是他电影作品中的一个子类型，后来继续包括 L'Uccello Dalle Piume di Cristallo、Una Lucertola Con la Pelle di Donna 和 Quatre Mosche di Velluto Grigio 等许多其他人的开创性作品中。

女士们，先生们，这首乐曲是埃尼奥·莫里康内最难以理解的。这是一首几乎完全由弦乐实验和即兴创作组成的乐谱，灵感来自他与 Gruppo di Improvvisazione Nuova Consonanza 的同事，即 Franco Evangelisti、Mario Bertoncini、Egisto Macchi、John Heineman 和 Walter Branchi 所做的工作。虽然我确信，从音乐学家的角度来看，这首乐谱包含了各种智力和复杂的和声、模式和表演技巧，但我真的没有词汇或智力来掌握它们;它听起来真的像是 30 分钟的随机噪音和不和谐，拨动、敲击和刮擦，没有任何旋律可言。我敢肯定，它完美地抓住了电影的精髓，营造出一种疏离和越来越恐怖的氛围，但作为一个独立的聆听，它几乎不可能与之联系起来。

如果你想听什么，请听七分钟的开场提示“Musica Per Undici Violini”，它基本上是乐谱中其他所有内容的总体汇编。在其他线索中，“Vuoi Essere Felice？”的音调辅音更多一些，带有幻觉般的梦幻般的声音;“Il Fantasma di Wanda”和“I Sogni dell'Artista”用呻吟、哀嚎、幽灵般的声音增强了弦乐;在令人不安但令人着迷的“幻想曲”的中间部分，它们几乎达到高潮。后来，“Delirio Primo”、“Frenesia”和“Delirio Secondo”在预先建立的调色板中添加了隆隆的打击乐声音。

多年来，Un Tranquillo Posto di Campagna 的原声带专辑已经发行了好几次——它显然很受音乐受虐狂(musical mashochists) 的欢迎——我拥有的版本是西班牙唱片公司 Saimel 在 2003 年发行的版本，其中包括整个 30 分钟的配乐，以及另外一首 34 分钟的单曲，名为“Un Tranquillo Posto di Campagna Suite，“，这归功于整个 Gruppo di Improvvisazione Nuova Consonanza，这是将怪异程度提高到最极端的水平。不要说我没有警告过你。

曲目列表： 1. Musica Per Undici Violini （6：51）， 2.Vuoi Essere Felice？(0:38), 3.Il Fantasma di Wanda （1：59）， 4.L'Automobile Della Contessina （1：15）， 5.I Sogni dell'Artista （1：59）， 6.幻想 （6：51）， 7.做自然 （0：39）， 8.德利里奥·普里莫 （2：36）， 9.I Sogni dell'Artista II （1：58）， 10.弗雷尼西亚 （0：58）， 11.Delirio Secondo （2：37）， 12.Lo Spirito di Wanda （0：55）， 13.《爱茉莉·维奥连托》（1：02），第14页。Un Tranquillo Posto di Campagna 组曲（由 Gruppo di Improvvisazione Nuova Consonanza – Franco Evangelisti、Mario Bertoncini、Egisto Macchi、Ennio Morricone、John Heineman 和 Walter Branchi 作曲和表演）（34：39）。塞梅尔3994710,64分57秒。

2020.9.19

以下是原文

ENNIO MORRICONE REVIEWS, Part 6-70

UN TRANQUILLO POSTO DI COMPAGNA [A QUIET PLACE IN THE COUNTRY] (1968)

Un Tranquillo Posto di Campagna – released in the US as A Quiet Place in the Country – is an Italian horror thriller film directed by Elio Petri, based on the short story “The Beckoning Fair One” by Oliver Onions. The film stars Franco Nero as Leonardo, an artist who relocates to a rural villa with his girlfriend Flavia (Vanessa Redgrave), where he begins to experience increasingly terrifying, apparently supernatural events. Un Tranquillo Posto di Campagna is notable for the fact that it is the first universally-recognized ‘giallo’ film that Morricone scored in his career – a sub-genre within his filmography that would later go on to encompass such groundbreaking titles as L’Uccello Dalle Piume di Cristallo, Una Lucertola Con la Pelle di Donna, and Quatre Mosche di Velluto Grigio, among many others.

This score, ladies and gentlemen, is Ennio Morricone at his most inaccessible. It’s a score made up almost entirely of string experimentations and improvisations, inspired by the work he did with his colleagues in Gruppo di Improvvisazione Nuova Consonanza, namely Franco Evangelisti, Mario Bertoncini, Egisto Macchi, John Heineman, and Walter Branchi. While I’m sure that, from a musicologists point of view, this score contains all manner of intellectual and complicated harmonies and patterns and performance techniques, I really don’t have the vocabuilary or intellect to grasp them; it genuinely sounds like 30 minutes of random noise and dissonance, plucked and struck and scraped with nary a melody to speak of. I’m sure it captures the essence of the film perfectly, creating an alienating and increasingly horrifying atmosphere, but as a standalone listen it virtually impossible to connect with.

If you want to listen to anything, listen to the seven-minute opening cue “Musica Per Undici Violini,” which essentially an overarching compilation of everything else in the score. Of the other cues, “Vuoi Essere Felice?” has a little more tonal consonance, with a hallucinatory dream-like sound; “Il Fantasma di Wanda” and “I Sogni dell’Artista” enhance the strings with moaning, wailing, ghostly voices; they become almost orgasmic during the middle section of the disconcerting but mesmerizing “Fantasma”. Later, “Delirio Primo,” “Frenesia,” and “Delirio Secondo” add rumbling percussive sounds to the pre-established palette.

The soundtrack album for Un Tranquillo Posto di Campagna has been released several times over the years – it’s apparently very popular with musical mashochists – and the version I have is the one released by the Spanish label Saimel in 2003, which includes the entire 30 minute score, plus an additional 34-minute single track titled “Un Tranquillo Posto di Campagna Suite,” and which is credited to the entire Gruppo di Improvvisazione Nuova Consonanza, which is weirdness taken to the most extreme levels possible. Don’t say I didn’t warn you.

Track Listing: 1. Musica Per Undici Violini (6:51), 2. Vuoi Essere Felice? (0:38), 3. Il Fantasma di Wanda (1:59), 4. L’Automobile Della Contessina (1:15), 5. I Sogni dell’Artista (1:59), 6. Fantasma (6:51), 7. Do Naturale (0:39), 8. Delirio Primo (2:36), 9. I Sogni dell’Artista II (1:58), 10. Frenesia (0:58), 11. Delirio Secondo (2:37), 12. Lo Spirito di Wanda (0:55), 13. Un Amore Violento (1:02), 14. Un Tranquillo Posto di Campagna Suite (composed and performed by Gruppo di Improvvisazione Nuova Consonanza – Franco Evangelisti, Mario Bertoncini, Egisto Macchi, Ennio Morricone, John Heineman, and Walter Branchi) (34:39). Saimel 3994710, 64 minutes 57 seconds.

Sep 19, 2020

001	Musica Per Undici Violini (06:51)	11把小提琴的音乐
002	Vuoi Essere Felice (00:38)	要快乐
003	Il Fantasma Di Wanda (01:59)	万达的幻影
004	L'automobile Della Contessina (01:15)	伯爵夫人的汽车
005	I Sogni Dell'Artista (01:59)	艺术的梦想
006	Fantasma (06:51)	鬼灵
007	Do Naturale (00:39)	自然
008	Delirio Primo (02:36)	第一个幻觉
009	I Sogni Dell'Artista II (01:58)	艺术的梦想 II
010	Frenesia (00:58)	疯狂
011	Delirio Secondo (02:37)	第二个幻觉
012	Lo Spirito Di Wanda (00:55)	万达的精神
013	Un Amore Violento (01:02)	爱的暴力
014	Un Tranquillo Posto Di Campagna (Suite) (34:59)	一片安静的地方(组曲)

Jon 是一位电影音乐评论家和记者，自 1997 年以来一直担任全球最受欢迎的英语电影音乐网站之一 Movie Music UK 的编辑和首席评论员，并且是国际电影音乐评论家协会 （IFMCA） 的主席。在过去的 20多 年中，Jon 撰写了 3,000 多篇评论和文章，并进行了多次作曲家采访。在杂志刊物方面，乔恩曾为《电影配乐月刊》、《原声带杂志》和《电影音乐》等出版物撰写评论和文章，并为普罗米修斯唱片公司的两张经典 Basil Poledouris 配乐专辑《Amanda》和《Flyers / Fire on the Mountain》撰写了衬垫注释。他还为汤姆·胡佛 （Tom Hoover） 于 2011 年出版的《Soundtrack Nation： Interviews with Today's Top Professionals in Film， Videogame， and Television Scorering》一书撰写了一章。在1990年代后期，乔恩是伦敦皇家爱乐乐团的电影音乐顾问，并与他们合作拍摄了约翰·德布尼（John Debney）的音乐电影《相对价值》（Relative Values）和奥利弗·海斯（Oliver Heise）的音乐《佛陀的指环》（The Ring of the Buddha），以及与兰迪·纽曼（Randy Newman）合作的一系列音乐会。2012年，乔恩在波兰克拉科夫举行的第五届年度电影音乐节上担任“电影节学院”主席。他是作曲家和作词家协会的成员，该协会是作曲家、作词家和词曲作者从事电影、电视和多媒体工作的首要非营利组织。

2023.12.1

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