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FA6708 Grazie zia / Thank You Aunt
Auther: Jonathan Broxton

ENNIO MORRICONE REVIEWS, Part 5-54

GRAZIE ZIA (1968)

Grazie Zia, known as Come Play With Me in English, is a dark drama film directed by Salvatore Samperi. The film stars Lou Castel as Alvise, a young man who may or may not be paralyzed, and is receiving treatment for psychological problems. When Alvise is left in the care his aunt Lea (Lisa Gastoni) for a few days, he quickly becomes infatuated with her; when Lea unexpectedly reciprocates his advances, the two begin a torrid affair based around the playing, winning and losing of games – the stakes for which ultimately involve literal life and death.

Morricone’s score is based around several recurring themes which are reprised numerous times over the course of the film and the soundtrack. The most famous of the five is “Guerra E Pace, Pollo E Brace,” a highly unusual rhythmic piece for a ferocious, rock-jazz drumbeat and oddly-pitched chanted choral vocals performed by the Boys’ Choir of Renata Cortiglioni; it’s got a groovy, hypnotic, exotic vibe that is difficult to describe but is quintessentially Morricone.

The title theme, “Grazie Zia,” is a dream-like piece for abstract harpsichord notes, plucked strings, tinkling metallic percussion, and more vocals from the Boys Choir that fade in and out of the piece to create a peculiar, disorienting atmosphere. As the cue progresses it emerges into a livelier melody for more strident guitars and folk-like augmentations, then regresses back to stark, dissonant writing for harpsichord and percussion that sounds quite disturbing, like a broken music box. Later, both “Amore Col Cuore” and “La Guerra, La Pace” extrapolate on the music box ideas with gentleness and fragility, but the former offsets this with a dour and imposing slow march for church organ and piano chords in what sounds like a dry run for his famous march “Rabbia e Tarantella” from the 1974 film Allonsanfàn.

The score for Grazie Zia has been released many times over the years, on CD and LP, and as a suite on numerous Morricone compilations. The most comprehensive version appears to be the CD release from Digitmovies released in 2013, which contains several versions of the main “Guerra e Pace, Pollo e Brace” track, plus a number of original songs written by Morricone in collaboration with lyricist Audrey Stainton Nohra.

Track Listing: 1. Guerra e Pace, Pollo e Brace (2:27), 2. Fratello Biondo (2:49), 3. Grazie Zia (4:29), 4. Guerra e Pace, Pollo e Brace (Marcetta) (1:43), 5. Amore Col Cuore (2:28), 6. Filastrocca Vietnamita (performed by Sergio Endrigo) (3:21), 7. La Guerra, La Pace (1:02), 8. Guerra e Pace, Pollo e Brace (Marcetta #2) (1:39), 9. Fratello Biondo #2 (2:17), 10. Amore Col Cuore #2 (3:00), 11. Guerra e Pace, Pollo e Brace (Marcetta #3) (3:43), 12. Grazie Zia #2 (4:38), 13. La Guerra, La Pace #2 (2:07), 14. Guerra e Pace, Pollo e Brace #2 (4:04). Digitmovies CDDM-227, 39 minutes 47 seconds.

July 18, 2020
Film Appreciation on This Website
Online music audition
001
guerra e pace, pollo e brace (04:07)(Lyrics by Audery Stainton Nohra)
002
fratello biondo (03:12)(Lyrics by Audery Stainton Nohra)
003
grazie zia (03:39)(Lyrics by Audery Stainton Nohra)
004
filastrocca vietnamita (03:25)(Lyrics by L. Settimelli)
Attachment: About Jonathan Broxton
Jon is a film music critic and journalist, who since 1997 has been the editor and chief reviewer for Movie Music UK, one of the world’s most popular English-language film music websites, and is the president of the International Film Music Critics Association (IFMCA). Over the last 20+ years Jon has written over 3,000 reviews and articles and conducted numerous composer interviews. In print, Jon has written reviews and articles for publications such as Film Score Monthly, Soundtrack Magazine and Music from the Movies, and has written liner notes for two of Prometheus Records’ classic Basil Poledouris score releases, “Amanda” and “Flyers/Fire on the Mountain”. He also contributed a chapter to Tom Hoover’s book “Soundtrack Nation: Interviews with Today’s Top Professionals in Film, Videogame, and Television Scoring”, published in 2011. In the late 1990s Jon was a film music consultant to the Royal Philharmonic Orchestra in London, and worked with them on the films “Relative Values” with music by John Debney, and “The Ring of the Buddha” with music by Oliver Heise, as well as on a series of concerts with Randy Newman. In 2012, Jon chaired one of the “festival academies” at the 5th Annual Film Music Festival in Krakow, Poland. He is a member of the Society of Composers and Lyricists, the premier nonprofit organization for composers, lyricists, and songwriters working motion pictures, television, and multimedia. (Here)
2023.11.28
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