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FA6408 Le pistole non discutono / Bullets Don't Argue
Auther: Jonathan Broxton

ENNIO MORRICONE REVIEWS, Part 3-33

LE PISTOLE NON DISCUTONO [BULLETS DON’T ARGUE] (1964)

Le Pistole Non Discutono is an Italian spaghetti western directed by Mario Caiano, starring Rod Cameron and Horst Frank. Cameron plays legendary wild west lawman Pat Garrett, who is forced to leave his own wedding to track down two ruthless bank robbers. Interestingly, this film was produced back-to-back with A Fistful of Dollars by Arrigo Pap for Jolly Film, and had a much bigger budget as Rod Cameron was a more ‘bankable’ star than Clint Eastwood at the time – of course, we all know what happened there.

The inimitable Peter Tevis returns to perform the title song “Lonesome Billy,” a downbeat lament for the life of a gunfighter, made all the more poignant by the silky bass in the singer’s voice. The rest of the score is built around variations on the main theme, “Le Pistole Non Discutono,” a determined melody for trumpets underpinned by acoustic guitars and hoofbeat percussion, which often swells with dark brass nobility and string-led fortitude. There are numerous variations throughout the score, including a couple of lovely versions for solo guitar, a somewhat dissonant variation including chaotically stark combination of pianos and harmonica and thrumming bass guitars (“#2”), and a fun arrangement for regional folk instruments and a Spanish soprano vocalist in the “Version Cantina Messicana”.

The two other main recurring ideas are “Gli Indiani,” recurring insistent explosions of percussion, stabbing pianos, and low horn clusters which give the score a sense of danger and underscore most of the film’s action sequences, and “La Ragazza e Lo Scheriffo,” a more bouncy and playful melody for assorted woodwinds that stands at odds with the rest of the score, but is a ton of fun.

There’s a lot of ‘what if’ about Le Pistole Non Discutono – what if this film had been more successful than A Fistful of Dollars, as was expected? Would this score have been more famous today? Film and music history are filled with stories like this, of chance and missed opportunity. Whatever the case may be, and despite its obscurity these days, Le Pistole Non Discutono is a great early entry into the spaghetti western genre, with a lovely lilting main theme and some bold, energetic, enjoyable action music.

The score for Le Pistole Non Discutono has been released a couple of times; as a standalone limited edition album by GDM Music in 2010, and as part of a double-feature coupled with score for L’Avventuriero in 2015. The main ‘Lonesome Billy’ song and related main theme can also be found on several of the many Morricone western compilations released over the years.

Track Listing: 1. Lonesome Billy (performed by Peter Tevis) (1:52), 2. Le Pistole Non Discutono (2:35), 3. Gli Indiani (2:15), 4. Le Pistole Non Discutono (Tema Chitarra) (2:04), 5. Le Pistole Non Discutono (#2) (4:41), 6. La Ragazza e Lo Scheriffo (1:10), 7. Le Pistole Non Discutono (Tema Chitarra #2) (2:01), 8. Le Pistole Non Discutono (#3) (1:07), 9. Gli Indiani (#2) (3:40), 10. Le Pistole Non Discutono (Cantina Messicana) (1:46), 11. Le Pistole Non Discutono (#4) (2:20), 12. Gli Indiani (#3) (4:21), 13. Le Pistole Non Discutono (Tema Chitarra #3) (3:02), 14. Le Pistole Non Discutono (#5) (2:03), 15. Lonesome Billy (Stereo Mix) (1:52), 16. Gli Indiani (Stereo Mix) (2:14), 17. Le Pistole Non Discutono (Stereo Mix) (2:32). GDM Music GDM-4138, 40 minutes 59 seconds.

July 9, 2020
Film Appreciation on This Website
Online music audition
001
Lonesome Billy (01:50)
002
Le pistole non discutono (02:33)
003
Gli indiani (02:13)
004
Le pistole non discutono (tema chitara) (02:02)
005
Le pistole non discutono #2 (04:39)
006
La ragazza e lo scheriffo (01:08)
007
Le pistole non discutono (tema chitarra #2) (01:59)
008
Le pistole non discutono #3 (01:05)
009
Gli indiani #2 (03:38)
010
Le pistole non discutono (canta messicana) (01:43)
011
Le pistole non discutono #4 (02:18)
012
Gli indiani #3 (04:19)
0.13
Le pistole non discutono (tema chitarra #3) (03:00)
014
Le pistole non discutuno #5 (01:59)
015
Lonesome Billy (stereo mix) (01:49)
016
Gli indiani (stereo mix) (02:12)
017
Le pistole non discutono (stereo mix) (02:32)
Attachment: About Jonathan Broxton
Jon is a film music critic and journalist, who since 1997 has been the editor and chief reviewer for Movie Music UK, one of the world’s most popular English-language film music websites, and is the president of the International Film Music Critics Association (IFMCA). Over the last 20+ years Jon has written over 3,000 reviews and articles and conducted numerous composer interviews. In print, Jon has written reviews and articles for publications such as Film Score Monthly, Soundtrack Magazine and Music from the Movies, and has written liner notes for two of Prometheus Records’ classic Basil Poledouris score releases, “Amanda” and “Flyers/Fire on the Mountain”. He also contributed a chapter to Tom Hoover’s book “Soundtrack Nation: Interviews with Today’s Top Professionals in Film, Videogame, and Television Scoring”, published in 2011. In the late 1990s Jon was a film music consultant to the Royal Philharmonic Orchestra in London, and worked with them on the films “Relative Values” with music by John Debney, and “The Ring of the Buddha” with music by Oliver Heise, as well as on a series of concerts with Randy Newman. In 2012, Jon chaired one of the “festival academies” at the 5th Annual Film Music Festival in Krakow, Poland. He is a member of the Society of Composers and Lyricists, the premier nonprofit organization for composers, lyricists, and songwriters working motion pictures, television, and multimedia. (Here)
2023.11.18
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