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主页--->m-comment-000--->mb-comment-004-48
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布罗克斯顿评说莫里康内 MB-004-48 |
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FA6711 La
Cina è vicina / China Is Near / 中国已近 / 中国是近邻 |
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作者 乔纳森·布罗克斯顿 （Jonathan Broxton） |
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ENNIO MORRICONE 评论，第4部分 004-48 |
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LA CINA È VICINA （1967年） 《La Cina è Vicina》是一部剧情片，是莫里康内继1965年在塔斯卡的《怒不可遏》之后为导演马可·贝洛基奥配乐的第二部也是最后一部电影。这是一部关于争夺政治和社会权力的讽刺电影，由格劳科·毛里、埃尔达·塔托利和皮耶路易吉·阿普拉主演，饰演来自意大利北部的富裕贵族戈尔迪尼-马尔维齐家族的三个兄弟姐妹。维托里奥是一名大学教授，他想开始政治生涯，但不断受到周围人的破坏，这些人利用了他温顺的个性。埃琳娜对自己的生活不满意，并与工人阶级男人进行了多次性出轨，但从未亲近过，因为她担心他们只是为了她的钱而爱她。最年轻的卡米洛正在接受成为一名牧师的培训，但被社会主义政治所动摇。事情通过一个年轻而雄心勃勃的卡洛而达到顶峰，卡洛是一个当地人，为了自己的个人和职业需要操纵了所有三个兄弟姐妹。 莫里康内为《La Cina è Vicina》配乐具有讽刺意味，使用不同寻常的进行曲和浮夸主题的变奏来评论口是心非的卡洛对家庭造成的社会和政治阴谋。主旋律“La Cina è Vicina”是一首球状的乐曲，由悸动的鼓声、伪军国主义的柔和铜管和奇怪的叮叮当当的大键琴组成，偶尔会切换位置，喜剧舞蹈几乎像米老鼠音乐一样在管弦乐队周围荡漾，以及柔和而温柔的古典音乐的小插曲，说明了 Gordini-Malvezzi 家庭别墅的优雅环境。该主题的几个变体提供了有趣的评论;“#2”咄咄逼人，尖锐刺耳，金属打击乐和带笑意的巴松管更加突出;“#5”专注于精致轻盈的长笛、小拨奏的质感和泡沫般的古典舞节奏;“#6” 以听起来更健康的手风琴为特色 “#13” 为葬礼教堂管风琴编排了这首曲子;等等。 还有几场主题“Ninna Nanna 1968”的表演，它使用鸣笛的木管乐器切开细腻、神秘的弦乐和竖琴主题，就像丝绸上的污渍一样，然后像八音盒一样编排相同的旋律。这些可爱、漂亮的主题与一系列破碎、激动的琴弦、刺耳的钢琴和恼人的木管乐器不同寻常地并置在一起，清楚地代表了家庭田园诗般的生活不断被卡洛的有毒存在所破坏的概念，并且非常聪明。 多年来，《La Cina è Vicina》的配乐已经发行了几次，但最好的可能是GDM Music在2012年发行的那张，这是一张限量版CD，将电影中不到30分钟的音乐与1968年电影《伙伴》的三个线索配对。 曲目列表： 1. La Cina è Vicina （2：41）， 2.Ninna Nanna 1968 （1：42）， 3.La Cina è Vicina #2 （1：28）， 4.La Cina è Vicina #3 （1：10）， 5.La Cina è Vicina #4 （1：44）， 6.La Cina è Vicina #5 （1：52）， 7.La Cina è Vicina #6 （1：29）， 8.La Cina è Vicina #7 （1：26）， 9.La Cina è Vicina #8 （2：11）， 10.La Cina è Vicina #9 （1：13）， 11.La Cina è Vicina #10 （1：36）， 12.La Cina è Vicina #11 （0：49）， 13.Ninna Nanna 1968 #2 （1：40）， 14.La Cina è Vicina #12 （3：00）， 15.La Cina è Vicina #13 （1：33）， 16.La Cina è Vicina #14 （1：02）， 17.Ninna Nanna 1968 #3 （1：53）。GDM Music 4160,28 分 29 秒。 |
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2020.7.18 |
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以下是原文
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ENNIO MORRICONE REVIEWS, Part 4-48 |
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LA CINA È VICINA (1967) La Cina è Vicina is a drama film, and is the second and final film Morricone scored for director Marco Bellocchio after I Pugni in Tasca in 1965. It is a satirical movie about the struggle for political and social power, and stars Glauco Mauri, Elda Tattoli, and Pierluigi Aprà as as three siblings of the Gordini-Malvezzi family, wealthy aristocrats from northern Italy. Vittorio, a university professor, wants to launch a political career, but is constantly undermined by those around him, who take advantage of his meek personality. Elena is dissatisfied with her life, and embarks on numerous sexual escapades with working class men, but never gets close because she fears they only love her for her money. Camillo, the youngest, is training to be a priest, but is being swayed from his calling by socialist politics. Things come to a head via a young and ambitious Carlo, a local man who manipulated all three siblings for his own personal and professional needs. Morricone’s score for La Cina è Vicina is ironic and sardonic, using unusually phrased marches and variations on a pompous main theme to comment on the social and political machinations inflicted on the family by the duplicitous Carlo. The main theme, “La Cina è Vicina,” is a bulbous piece for throbbing drums, pseudo-militaristic muted brass, and an oddly-timed tinkling harpsichord, which occasionally switches places with a, comedic dance that ripples around the orchestra almost like mickey mouse music, and little interludes of soft and gentle classical music that illustrate the genteel surroundings of the Gordini-Malvezzi family villa. Several variations of the theme offer interesting commentary; “#2” is aggressive and shrill, with more prominent metallic percussion and laughing bassoons; “#5” focuses on dainty and flighty flutes, little pizzicato textures, and frothy classical dance rhythms; “#6” features a more wholesome-sounding accordion “#13” arranges the piece for a funereal church organ; and so on. There are also several performances of the theme “Ninna Nanna 1968,” which uses honking woodwinds to cut through a delicate, enigmatic string and harp the theme, like a stain on silk, and later arranges the same melody like a music box. The unusual juxtaposition of these lovely, pretty themes against a series of broken, agitated strings, harsh pianos, and irritating woodwinds, clearly represents the notion of the family’s idyllic life being constantly undermined by the toxic presence of Carlo, and is very clever. The score for La Cina è Vicina has been released a couple of times over the years, but the best release is probably the one by GDM Music from 2012, a limited edition CD which pairs just under 30 minutes of music from the film with three cues from the 1968 film Partner. Track Listing: 1. La Cina è Vicina (2:41), 2. Ninna Nanna 1968 (1:42), 3. La Cina è Vicina #2 (1:28), 4. La Cina è Vicina #3 (1:10), 5. La Cina è Vicina #4 (1:44), 6. La Cina è Vicina #5 (1:52), 7. La Cina è Vicina #6 (1:29), 8. La Cina è Vicina #7 (1:26), 9. La Cina è Vicina #8 (2:11), 10. La Cina è Vicina #9 (1:13), 11. La Cina è Vicina #10 (1:36), 12. La Cina è Vicina #11 (0:49), 13. Ninna Nanna 1968 #2 (1:40), 14. La Cina è Vicina #12 (3:00), 15. La Cina è Vicina #13 (1:33), 16. La Cina è Vicina #14 (1:02), 17. Ninna Nanna 1968 #3 (1:53). GDM Music 4160, 28 minutes 29 seconds. |
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July 18, 2020 |
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在线音乐试听 |
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Jon 是一位电影音乐评论家和记者，自 1997 年以来一直担任全球最受欢迎的英语电影音乐网站之一 Movie Music UK 的编辑和首席评论员，并且是国际电影音乐评论家协会 （IFMCA） 的主席。在过去的 20多 年中，Jon 撰写了 3,000 多篇评论和文章，并进行了多次作曲家采访。在杂志刊物方面，乔恩曾为《电影配乐月刊》、《原声带杂志》和《电影音乐》等出版物撰写评论和文章，并为普罗米修斯唱片公司的两张经典 Basil Poledouris 配乐专辑《Amanda》和《Flyers / Fire on the Mountain》撰写了衬垫注释。他还为汤姆·胡佛 （Tom Hoover） 于 2011 年出版的《Soundtrack Nation： Interviews with Today's Top Professionals in Film， Videogame， and Television Scorering》一书撰写了一章。在1990年代后期，乔恩是伦敦皇家爱乐乐团的电影音乐顾问，并与他们合作拍摄了约翰·德布尼（John Debney）的音乐电影《相对价值》（Relative Values）和奥利弗·海斯（Oliver Heise）的音乐《佛陀的指环》（The Ring of the Buddha），以及与兰迪·纽曼（Randy Newman）合作的一系列音乐会。2012年，乔恩在波兰克拉科夫举行的第五届年度电影音乐节上担任“电影节学院”主席。他是作曲家和作词家协会的成员，该协会是作曲家、作词家和词曲作者从事电影、电视和多媒体工作的首要非营利组织。 |
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2023.11.26 |
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2023 手机版 |
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