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FA6301 Duello nel Texas / Gunfight at Red Sands / 红沙地上的枪战
作者 乔纳森·布罗克斯顿 (Jonathan Broxton)
ENNIO MORRICONE 评论,第3部分 003-32

在我的不定期系列的第三部分中,我们着眼于标志性作曲家的早期职业生涯,我们来看看传奇人物埃尼奥·莫里康内在 1961 年至 1967 年间创作的另外八首乐谱,这些乐谱未包含在前两篇文章中。这组评论包括莫里康内有史以来第一部西部片配乐、其他几部美元时代意大利面西部片,以及几部喜剧和戏剧性的爱情配乐——其中一部是欧洲最受尊敬的导演之一的早期电影。

DUELLO NEL TEXAS [红沙地上的枪战] (1963)

Duello Nel Texas,有时被称为 Gunfight at Red Sands,是有史以来第一部意大利面西部片之一,也是第一部由莫里康内配乐的西部电影,比《荒野大镖客》早一年。它由里卡多·布拉斯科和马里奥·凯亚诺执导,理查德·哈里森饰演里卡多“外国佬”马丁内斯,他是墨西哥牧羊人家庭的养子,他目睹了土匪谋杀全家。一心想复仇的外国佬与当地律师科贝特(GR 斯图尔特饰)合作追查凶手——但很快发现并不是他家乡的每个人都希望找到凶手。

配乐以一首绝对美妙的歌曲“像我这样的外国佬”为基础,这首歌由莫里康内作曲,安妮·卡罗尔·丹内尔和蒂诺·福尔奈作词,并由民谣歌手彼得·特维斯在奔腾、抒情的管弦乐暗流中以金嗓子的权威演绎。这是莫里康内为西部电影创作的第一首歌,并为所有追随它的人树立了标准。配乐本身实际上出人意料地传统,在基调上更接近莫罗斯和伯恩斯坦的西部配乐 (the western scores of Moross and Bernstein ),而不是莫里康内自己写的任何配乐。尽管如此,传统的莫里康内仍然是好的莫里康内,有很多值得推荐的地方。有许多线索充满了激烈和打击乐重的嘎嘎作响的动作音乐,小号主导的内省和美丽的时刻,一些舒缓和民谣的吉他独奏,以及一些伪喜剧的 honkytonk 沙龙音乐,这些音乐打破了流程,但可能在上下文中起作用。

“Part 7”、“Part 14”和“Part 18”以善良的喧嚣重现了“像我一样的外国佬”歌曲的旋律。“第 4 部分”、“第 11 部分”和“第 12 部分”可能是动作线索的选择,在尖锐的管弦乐队和说唱军鼓打击乐下有一些鲜明、坚持的钢琴和弦。飘荡在几首曲目中的轻快吉他旋律,特别是“第 2 部分”,有时会被调换成孤独的口琴,如“第 8 部分”,或一排情感弦乐,如“第 10 部分”。乐谱中更具反思性的一面也体现在深情的小号独奏中,可以在“第 5 部分”中听到,尤其是精湛的“第 13 部分”。整件事在美丽的“Part 17”中达到高潮,这是一堆郁郁葱葱的弦乐。虽然不像他后来的任何标志性意大利面西部配乐那样有创意,但 Duello Nel Texas 是对整个流派起源的迷人观察,对于对电影音乐史感兴趣的爱好者来说非常值得探索。

该乐谱于2012年由意大利唱片公司Digitmovies发行CD,带有18个未标记的提示,多年来,主打主题曲已被收录在几张合辑中。请记住:只有一种人是你可以信任的——那就是死人,或者像我这样的外国佬!

曲目列表: 1. A Gringo Like Me (由 Peter Tevis) 演唱 (2:28), 2.Duello nel Texas, 第 1 部分 (1:04), 3.Duello nel Texas,第 2 部分 (2:34),4。Duello nel Texas, Pt. 3 (2:00), 5.Duello nel Texas,第 4 部分 (2:04),6。Duello nel Texas,第 5 部分 (1:53),7。Duello nel Texas,第 6 部分 (0:58),8。Duello nel Texas,第 7 部分 (1:02),9。Duello nel Texas,第 8 部分 (1:37),10。Duello nel Texas,第 9 部分 (1:45),11。Duello nel Texas,第 10 部分 (1:23),12。Duello nel Texas,第 11 部分 (2:14),13。Duello nel Texas,第 12 部分 (3:03),14。Duello nel Texas,第 13 部分 (1:18),15。Duello nel Texas,第 14 部分 (1:14),16。Duello nel Texas,第 15 部分 (4:10),17。Duello nel Texas,第 16 部分 (1:58),18。Duello nel Texas,第 17 部分 (3:40),19。Duello nel Texas,第 18 部分 (2:42),20。像我这样的外国佬(由迪基·琼斯表演)(2:49)。Digitmovies DPDM-2005,41分54秒。

2020.7.9

 

以下是原文

ENNIO MORRICONE REVIEWS, Part 3-32

ENNIO MORRICONE REVIEWS, Part III

July 9, 2020

In this third installment of my irregular series looking at the early careers of iconic composers, we take a look at an additional eight scores written by the legendary Ennio Morricone between 1961 and 1967 which were not included in the first two articles. This group of reviews includes the first ever western that Morricone scored, several other spaghetti westerns from the Fistful of Dollars era, and several comedic and dramatic romance scores – one of which was for an early film by one of Europe’s most esteemed directors.

DUELLO NEL TEXAS [GUNFIGHT AT RED SANDS] (1963)

Duello Nel Texas, sometimes known as Gunfight at Red Sands, was one of the first ever spaghetti western films, and the first western movie scored by Morricone, a year before A Fistful of Dollars. It was directed by Ricardo Blasco and Mario Caiano and stars Richard Harrison as Ricardo ‘Gringo’ Martinez, the adopted son of a family of Mexican sheep farmers, who witnesses the murder of his entire family by bandits. Bent on revenge, Gringo teams up with a local lawman, Corbett (G. R. Stuart) to track down the killers – but soon discovers that not everyone in his hometown wants the killers found.

The score is anchored by an absolutely fabulous song, “A Gringo Like Me,” which has music by Morricone, lyrics by Anne Carol Danell and Tino Fornai, and is performed with golden-voiced authority by folk singer Peter Tevis under a galloping, lyrical orchestral undercurrent. It’s the first song that Morricone wrote for a western film, and set the standard for all those that followed it. The score proper is actually surprisingly conventional, much closer in tone to the western scores of Moross and Bernstein than anything Morricone would himself write. Nevertheless, conventional Morricone is still good Morricone, and there is a lot to recommend. There are numerous cues full of intense and percussion-heavy rattling action music, moments of trumpet-led introspection and beauty, some soothing and folksy guitar solos, and some pseudo-comedic honkytonk saloon music that breaks the flow but probably works in context.

“Part 7,” “Part 14,” and “Part 18” reprise the melody from the ‘Gringo Like Me’ song with good-natured rambunctiousness. “Part 4,” “Part 11,” and “Part 12” are probably the pick of the action cues, and feature some stark, insistent piano chords underneath a shrill orchestra and rapped snare percussion. The lilting guitar melody that floats through several tracks, notably “Part 2,” is sometimes transposed to a lonely harmonica, as in “Part 8,” or a bank of emotional strings, as in “Part 10”. The more reflective side of the score is also illustrated by a soulful trumpet solo that can be heard in “Part 5” and especially the superb “Part 13”. The whole thing climaxes with overt emotion in the beautiful “Part 17,” a bank of lush strings. While not as creative as any of his later iconic spaghetti western scores, Duello Nel Texas is a fascinating look at the genesis of the entire genre, and is well worth exploring for devotees interested in film music history.

The score was released on CD in 2012 by Italian label Digitmovies, with eighteen unlabeled cues, and the main title theme song has been included on several compilation album over the years. Just remember: there’s just one kind of man that you can trust – that’s a dead man, or a gringo like me!

Track Listing: 1. A Gringo Like Me (performed by Peter Tevis) (2:28), 2. Duello nel Texas, Pt. 1 (1:04), 3. Duello nel Texas, Pt. 2 (2:34), 4. Duello nel Texas, Pt. 3 (2:00), 5. Duello nel Texas, Pt. 4 (2:04), 6. Duello nel Texas, Pt. 5 (1:53), 7. Duello nel Texas, Pt. 6 (0:58), 8. Duello nel Texas, Pt. 7 (1:02), 9. Duello nel Texas, Pt. 8 (1:37), 10. Duello nel Texas, Pt. 9 (1:45), 11. Duello nel Texas, Pt. 10 (1:23), 12. Duello nel Texas, Pt. 11 (2:14), 13. Duello nel Texas, Pt. 12 (3:03), 14. Duello nel Texas, Pt. 13 (1:18), 15. Duello nel Texas, Pt. 14 (1:14), 16. Duello nel Texas, Pt. 15 (4:10), 17. Duello nel Texas, Pt. 16 (1:58), 18. Duello nel Texas, Pt. 17 (3:40), 19. Duello nel Texas, Pt. 18 (2:42), 20. A Gringo Like Me (performed by Dicky Jones) (2:49). Digitmovies DPDM-2005, 41 minutes 54 seconds.

July 9, 2020
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Jon 是一位电影音乐评论家和记者,自 1997 年以来一直担任全球最受欢迎的英语电影音乐网站之一 Movie Music UK 的编辑和首席评论员,并且是国际电影音乐评论家协会 (IFMCA) 的主席。在过去的 20多 年中,Jon 撰写了 3,000 多篇评论和文章,并进行了多次作曲家采访。在杂志刊物方面,乔恩曾为《电影配乐月刊》、《原声带杂志》和《电影音乐》等出版物撰写评论和文章,并为普罗米修斯唱片公司的两张经典 Basil Poledouris 配乐专辑《Amanda》和《Flyers / Fire on the Mountain》撰写了衬垫注释。他还为汤姆·胡佛 (Tom Hoover) 于 2011 年出版的《Soundtrack Nation: Interviews with Today's Top Professionals in Film, Videogame, and Television Scorering》一书撰写了一章。在1990年代后期,乔恩是伦敦皇家爱乐乐团的电影音乐顾问,并与他们合作拍摄了约翰·德布尼(John Debney)的音乐电影《相对价值》(Relative Values)和奥利弗·海斯(Oliver Heise)的音乐《佛陀的指环》(The Ring of the Buddha),以及与兰迪·纽曼(Randy Newman)合作的一系列音乐会。2012年,乔恩在波兰克拉科夫举行的第五届年度电影音乐节上担任“电影节学院”主席。他是作曲家和作词家协会的成员,该协会是作曲家、作词家和词曲作者从事电影、电视和多媒体工作的首要非营利组织。
2023.11.18
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